Nomadic artist

Sculpture - Ceramics

RENNES - TOKYO - NANTES - LONDON - PARIS - RIO DE JANEIRO - NEW DELHI

NEWS - EXPOSITIONS

CATALOGUE CERAMIQUE 2026 EN LIGNE

CATALOGUE CERAMIQUE 2026 EN LIGNE

Pour celles et ceux qui n'ont pas pu venir à la Fête du Thé de Rennes, ou qui souhaitent revoir les pièces présentées à cette occasion, j'ai réuni dans un CATALOGUE les œuvres encore disponibles. 

Vous y trouverez mes grands CHAWANS sculptés de la collection blanche SHIRO et de la collection noire YORU, des bols pour boire le thé au jardin, les vases hanaires, des boîtes à thé..

Pour obtenir le CATALOGUE merci de me contacter guerardrio@yahoo.fr/ 06 76 20 92 93 

Vous pouvez aussi prendre RDV si vous êtes à Rennes pour visiter mon atelier. 

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PARTICIPATION FÊTE DU THE 24 & 25 MAI de 14 à 18h, Parc de Maurepas, Rennes.

PARTICIPATION FÊTE DU THE 24 & 25 MAI de 14 à 18h, Parc de Maurepas, Rennes.

Collection Thé 2026 

Une quarantaine de pièces sont sortis de mon four ces dernières semaines : bols, vases et boites pour célébrer l’univers du thé.

Chacune a été sculptée à la main, avec lenteur dans l’énergie d’un moment. J’ai utilisé la technique du KURURINUKI apprise au Japon. Conçues pour accompagner le thé, en silence, dans un geste simple et intime. 

Vous pourrez découvrir ma collection thé 2026 lors de la Fête du thé dans le parc de Maurepas à Rennes STAND 35 les 24 & 25 mai de 14h à 18h.


Crédit photo Florence Gomez 

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Bio

"Il semblerait que l'art soit encore le meilleur moyen de parvenir à une compréhension mutuelle entre les peuples", Soëtsu Yanagi.

En tant qu'artiste nomade, j'ai toujours essayé de trouver un langage simple et universel dans mes créations. L'argile est mon matériau depuis 27 ans. Formée en sculpture auprès d'artistes, en Inde, au Brésil, à Paris, à Londres, je redécouvre la matière à Tokyo, dans un atelier de céramique traditionnel. Hors d'un cadre académique, mes expériences ont nourrit une approche plurielle et empirique de la céramique.

Depuis mon installation à Rennes en 2019, je travaille de concert sculpture et céramique en associant ou en croisant mes techniques. Mes sculptures sont symboliques, épurées dans leur traitement, elles restent brutes dans leur matière. Elles parlent de la dimension de l'âme et d'une possible représentation. Mes céramiques célèbrent l’univers du thé : bols, boîtes à thé, vases, sont modelées à la main dans l’esprit japonais "Mingeï" entre sobriété de la forme, utilité et contemplation.  
 
Je vous invite à découvrir une sélection d'œuvres réalisées au fil de mes destinations. Certaines sont disponibles à la vente et sont à découvrir dans mon atelier d'artiste, sur rendez-vous. Contactez moi :)

En parallèle de ma création, j'anime des cours et des stages de céramique à l'Atelier Galerie de l'Ombre Blanche à Rennes.

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RENNES, since 2019

SCULPTURE & CERAMIQUE : L'ARGILE COMME MATIERE PREMIERE Je poursuis ma route comme artiste indépendante à Rennes. L'argile reste ma matière première. Je travaille la sculpture et la céramique de concert en croisant mes techniques.

RENNES

Sculpture of the form - Kurinuki is a Japanese ceramic technique dating back to the medieval Edo period. Starting with a lump of clay that has begun to dry, I sculpt the outer form with wooden tools, stamp out textures, and then gradually remove the clay from the inside. It's an intimate dialogue between the exterior and interior of a form. It allows for the creation of complex and unique pieces, crafted with my energy in the moment.
Working with stones - Stones are everywhere in Japan. In dry gardens, in front of teahouses, on tombs… They are the object of particular devotion. They are respected for their healing properties, admired for their shape and evocative power. They can also be the dwelling place of a spirit: the kami. Before leaving Tokyo, I began researching their symbolism, which I am naturally continuing in Brittany, where stones can be magical, healing, resonant, or megalithic.
Au Japon (2016-2019), l’âme « s’est incarnée » dans des formes symboliques et universelles comme celles d’un œuf . En arrivant en France en 2019 je décide d'éditer 2 formes en bronze (vanités 1 & 3). Disponibles sur commande.
Raku Yaki pebble series (3 available) - White stoneware, Raku Yaki firing and wax. Approximately 15 cm
Pebbles in porcelain. Nerikomi technique (Mixed clays) - White & black porcelain (dyed in the mass). Technique of Nerikomi or mixed clay. H.6 x W.28x D.14 cm.
“Tomeishi” series
"Tomeishi" (4 pieces available) - "Tome-ishi" are boundary stones in Japan that mark the prohibition against going any further. They are bound with palm fiber soaked in India ink. In my work, this stone symbolizes the separation between the visible and invisible worlds.
Tomeishi. Reduced cooking - Porcelain stoneware, fired in oxidation-reduction. Palm fiber cord. h12 x 16 x 13 cm.
“Suiseki” series – Pit cooking - In Japan and China, "Suiseki" refers to stones shaped by stream water. They are chosen for their beautiful, abstract, or graphic forms. White sandstone and oxide wash. Worked in the mass. Pit fired for 30 hours.
Suisekis - whales (3 pieces available) - White stoneware. Hand-built. Pit-fired. Patina. Plaster of Paris base, 14 x 30 x 8 cm
"Suiseki" series line - 1 (4 pieces available) - Organic forms in white stoneware. Worked from a single block. Pit fired. Slate base. 15 x 15 x 18 cm
"Suiseki" line - 3 (available) - Organic forms in white stoneware. Worked from a single block. Pit fired. Slate base. h16 x 15 x 18 cm
"Grand Totem" Series - 1 - Sculpture in red stoneware, smoked and waxed. Sculpted plaster base. Dimensions 40 x 25 x 25 cm.
KURINUKI VASES - A collection of vases carved from a single block of clay. Some are available for sale.
Tea box 1 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approximately 100 x 100 x 100 cm.
Tea Box 2 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approximately 100 x 100 x 100 mm.
Tea box 2 - Oribe (opening detail) - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker loop. Approx. 130 x 90 x 90 cm.
Tea box 3 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 130 x 80 x 80 cm.
Tea box 4 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 70 x 140 x 70 cm.
Tea Box 1 - Testu - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 130 x 90 x 90 cm.
Tea Box 2 - Testu - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 130 x 90 x 90 cm.
Tea Box 1 - Raku Yaki - White stoneware tea caddy. Hollowed out from the block. White stoneware and ash glazes. Raku Yaki firing. Approximately 130 x 90 x 90 cm.
“Chawan” Kurinuki cobalt series - Chawan, or large Japanese tea ceremony bowl. Hand-carved using the Kurinuki technique. White stoneware, cobalt glaze, and Japanese ash glazes. Approximately 130 mm in diameter and 70 mm high. Available for purchase.
"Chawan" Kurinuki oribe series - Chawan, or large Japanese tea ceremony bowl. Hand-carved using the Kurinuki technique. White stoneware with Japanese ash glaze. Approximately 130 mm in diameter and 70 mm high. Available for sale.
White collection: SHIRO 白 Collection - Hand-carved from white stoneware using wooden tools, each CHAWAN bowl in the SHIRO COLLECTION is unique in its shape and color composition. The milky white WARA ZIRO absorbs light and meets the ORIBE green to create subtle and delicate atmospheres. These are bowls of presence.
"Yunomi" series, satin white - Series of everyday bowls in white stoneware with a satin white glaze. Hand-carved with a hollowed-out design (Kurinuki). (Diameter) approximately 60/70 mm x height approximately 60/70 mm. Available for sale. Limited edition. Unique pieces.
Blue "Nodate" Series 2 - Petits bols du jardin en grès blanc, jus de cobalt & émail transparent. Travail dans la masse par évidement (Kuriniki). (Ø)60/70 x h 60/70 mn environ.
Blue "Nodate" Series 1 - Petits bols du jardin en grès blanc, jus de cobalt & émail de cendres. Travail dans la masse par évidement (Kuriniki). (Ø)50 x h 60 mn environ. Disponibles à la vente. Série limitée. Pièce unique.
"Nodate" series, blue square - Petits bols gravés en grès blanc, jus de cobalt & émail transparent. Travail dans la masse par évidement (Kuriniki). (Ø)60/70 x h 60/70 mn environ. Disponibles à la vente. Série limitée.
"Chawans" Raku Yaki Series - Set of large Japanese tea ceremony bowls. White stoneware. Pinch-hand modeling. Raku Yaki firing. (Ø)130 x h 70 mm approx. Made to order.
"Yunomi" series pinched bowls - Series of everyday or Yunomi bowls. White stoneware. Glazed with oxide washes. Hand-modeled using the pinch technique. (Ø)80 x h 80 mm approx. Made to order.
Nodate white series - Petits bols du jardin ou "nodate". Grès blanc & émaux de cendre japonais. Modelés à la main avec la technique du pincé. (Ø) 60 x hauteur 60 mm environ. Disponibles à la vente. Disponible à la vente. Série limitée. Pièces uniques.
Nodate Oribe Series - Small bowls for the garden. Diam 8, h 6cm. Worked using the Kurinuki technique, by hollowing.
Large satin bowl series - White stoneware. Worked with oxide washes, satin white glaze. Hand-modeled using the pinching technique. (Diameter) approximately 150 x height approximately 80 mm. Made to order.
Large transparent bowl series - White stoneware. Worked with oxide washes and transparent glaze. Hand-modeled using the pinching technique. (Diameter) approximately 140 x height approximately 80 mm. Made to order.
Large Totem - 3 - Sculpture in red stoneware, smoked and waxed. Sculpted plaster base. Dimensions 40 x 35 x 35 cm.
Vase - VK1 - White stoneware. Worked in the mass by hollowing, Japanese ash glazes. Height 130 x width 130 x depth 40 mm.
FLOWER VASE - 2 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. H 260 x 100 x 100 mm. Available for sale.
Vase - VK5 - White stoneware. Work in the mass by hollowing, Japanese ash glazes. Height 100 cm x Width 70 x Depth 60 mm.
FLOWER VASE - 5 - Red stoneware. Carved from the body. Ash glazes on the interior. Exterior patina. H 190 x 200 x 60 mm. Available for sale.
Vase - VK2 - White stoneware. Worked in the mass by hollowing, Japanese ash glazes. Height 160 cm x Width 60 cm x Depth 60 mm.
FLOWER VASE - 1 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. 110 x 100 x h260 mm. Available for sale.
Vase - VK3 - White stoneware. Hand-carved into the body, glazed with Japanese ash. Height 120 cm x width 100 cm x depth 50 cm. Available for sale.
Vanity - 3 - Bronze 1/8. 2024. Brown moiré patina. Bronze base. h14 x 20.5 x 5 cm.
Vanity - 1 (available) - Bronze 2/8. 2024. Honey patina. Raw oak base. h32 x 17 x 17 cm
2 vanities (available) - Grès blanc & jus d'oxydes. Travail dans la masse. Socle en grès noir patiné. Cuisson en fosse. h20 x 31, 5 x 13 cm.
Open Soul - raku 6 (available) - White stoneware. Transparent glaze, Raku Yaki firing. Wax. h13 x h3 x 17 cm.
Interior detail of open core - raku 6
Open Soul - Nerikomi 2 (available) - Porcelaine blanche & noire mêlées. Technique du nerikomi. Base en plâtre de Paris. h16 x 18 x 18 cm.
Open Soul - Nerikomi 3 (available) - Porcelaine blanche & noire mêlées. Technique du Nerikomi Base en plâtre de Paris. h16 x 18 x 18 cm.
Dialogue between two great souls - Modeled in white porcelain stoneware or black stoneware, the great souls open themselves to our gaze to reveal their inner landscapes.
Great Black Soul - 5 (available) - Grès noir, jus d'oxyde & patine. Socle en béton lisse & inclusion plexiglas h27x 16 x 28 cm
Great Black Soul -7 (available) - Grès noir, jus d'oxyde & patine. Socle en béton lisse. h27x 16 x 28 cm
Great White Soul - 4 (available) - Porcelain stoneware, milk patina. Oak wood base. h28 x 20 x 22 cm
Great Black Soul - 6 (available) - Grès noir, jus d'oxyde & patine. Socle en béton lisse. h47x 16 x 28 cm
Great Black Soul - 8 (available) - Grès noir, jus d'oxyde & patine à l'intérieur. Socle en béton lisse. h40x 16 x 28 cm
FLOWER VASE - 3 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. H 210 x 110 x 70 mm. Available for sale.
Vase - VK7 - White stoneware. Hand-carved into the body, glazed with Japanese ash. Height 95 cm x Width 80 cm x Depth 70 mm. Available for sale.
FLOWER VASE - 4 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. H 110 x 200 x 40 mm. Available for sale.
"Small Totems" Series - 10 pieces available - Small sculptures in patinated white stoneware and glazed earthenware. Base in raw earthenware. Dimensions may vary.
Small totem details
Bird - 1 - Plaster of Paris and wax. Concrete base with calligraphy by Yukako Matsui. Translation: "Here I am / where the blue of the sea / is limitless" (Santoka) h81 x 60 x 10 cm
2 birds
2 birds - Plaster of Paris and wax. Oak wood base. Vertical bird: h90 x 12 x 12 cm. Horizontal bird: h38 x 25 x 12 cm.

Au Japon (2016-2019), l’âme « s’est incarnée » dans des formes symboliques et universelles comme celles d’un œuf . En arrivant en France en 2019 je décide d'éditer 2 formes en bronze (vanités 1 & 3). Disponibles sur commande.
Vanity - 3 - Bronze 1/8. 2024. Brown moiré patina. Bronze base. h14 x 20.5 x 5 cm.
Vanity - 1 (available) - Bronze 2/8. 2024. Honey patina. Raw oak base. h32 x 17 x 17 cm
2 vanities (available) - Grès blanc & jus d'oxydes. Travail dans la masse. Socle en grès noir patiné. Cuisson en fosse. h20 x 31, 5 x 13 cm.
Open Soul - raku 6 (available) - White stoneware. Transparent glaze, Raku Yaki firing. Wax. h13 x h3 x 17 cm.
Interior detail of open core - raku 6
Open Soul - Nerikomi 2 (available) - Porcelaine blanche & noire mêlées. Technique du nerikomi. Base en plâtre de Paris. h16 x 18 x 18 cm.
Open Soul - Nerikomi 3 (available) - Porcelaine blanche & noire mêlées. Technique du Nerikomi Base en plâtre de Paris. h16 x 18 x 18 cm.
Dialogue between two great souls - Modeled in white porcelain stoneware or black stoneware, the great souls open themselves to our gaze to reveal their inner landscapes.
Great Black Soul - 5 (available) - Grès noir, jus d'oxyde & patine. Socle en béton lisse & inclusion plexiglas h27x 16 x 28 cm
Great Black Soul -7 (available) - Grès noir, jus d'oxyde & patine. Socle en béton lisse. h27x 16 x 28 cm
Great White Soul - 4 (available) - Porcelain stoneware, milk patina. Oak wood base. h28 x 20 x 22 cm
Great Black Soul - 6 (available) - Grès noir, jus d'oxyde & patine. Socle en béton lisse. h47x 16 x 28 cm
Great Black Soul - 8 (available) - Grès noir, jus d'oxyde & patine à l'intérieur. Socle en béton lisse. h40x 16 x 28 cm

Working with stones - Stones are everywhere in Japan. In dry gardens, in front of teahouses, on tombs… They are the object of particular devotion. They are respected for their healing properties, admired for their shape and evocative power. They can also be the dwelling place of a spirit: the kami. Before leaving Tokyo, I began researching their symbolism, which I am naturally continuing in Brittany, where stones can be magical, healing, resonant, or megalithic.
Raku Yaki pebble series (3 available) - White stoneware, Raku Yaki firing and wax. Approximately 15 cm
Pebbles in porcelain. Nerikomi technique (Mixed clays) - White & black porcelain (dyed in the mass). Technique of Nerikomi or mixed clay. H.6 x W.28x D.14 cm.
“Tomeishi” series
"Tomeishi" (4 pieces available) - "Tome-ishi" are boundary stones in Japan that mark the prohibition against going any further. They are bound with palm fiber soaked in India ink. In my work, this stone symbolizes the separation between the visible and invisible worlds.
Tomeishi. Reduced cooking - Porcelain stoneware, fired in oxidation-reduction. Palm fiber cord. h12 x 16 x 13 cm.
“Suiseki” series – Pit cooking - In Japan and China, "Suiseki" refers to stones shaped by stream water. They are chosen for their beautiful, abstract, or graphic forms. White sandstone and oxide wash. Worked in the mass. Pit fired for 30 hours.
Suisekis - whales (3 pieces available) - White stoneware. Hand-built. Pit-fired. Patina. Plaster of Paris base, 14 x 30 x 8 cm
"Suiseki" series line - 1 (4 pieces available) - Organic forms in white stoneware. Worked from a single block. Pit fired. Slate base. 15 x 15 x 18 cm
"Suiseki" line - 3 (available) - Organic forms in white stoneware. Worked from a single block. Pit fired. Slate base. h16 x 15 x 18 cm
"Grand Totem" Series - 1 - Sculpture in red stoneware, smoked and waxed. Sculpted plaster base. Dimensions 40 x 25 x 25 cm.
Large Totem - 3 - Sculpture in red stoneware, smoked and waxed. Sculpted plaster base. Dimensions 40 x 35 x 35 cm.
"Small Totems" Series - 10 pieces available - Small sculptures in patinated white stoneware and glazed earthenware. Base in raw earthenware. Dimensions may vary.
Small totem details

Bird - 1 - Plaster of Paris and wax. Concrete base with calligraphy by Yukako Matsui. Translation: "Here I am / where the blue of the sea / is limitless" (Santoka) h81 x 60 x 10 cm
2 birds
2 birds - Plaster of Paris and wax. Oak wood base. Vertical bird: h90 x 12 x 12 cm. Horizontal bird: h38 x 25 x 12 cm.

Sculpture of the form - Kurinuki is a Japanese ceramic technique dating back to the medieval Edo period. Starting with a lump of clay that has begun to dry, I sculpt the outer form with wooden tools, stamp out textures, and then gradually remove the clay from the inside. It's an intimate dialogue between the exterior and interior of a form. It allows for the creation of complex and unique pieces, crafted with my energy in the moment.
“Chawan” Kurinuki cobalt series - Chawan, or large Japanese tea ceremony bowl. Hand-carved using the Kurinuki technique. White stoneware, cobalt glaze, and Japanese ash glazes. Approximately 130 mm in diameter and 70 mm high. Available for purchase.
"Chawan" Kurinuki oribe series - Chawan, or large Japanese tea ceremony bowl. Hand-carved using the Kurinuki technique. White stoneware with Japanese ash glaze. Approximately 130 mm in diameter and 70 mm high. Available for sale.
White collection: SHIRO 白 Collection - Hand-carved from white stoneware using wooden tools, each CHAWAN bowl in the SHIRO COLLECTION is unique in its shape and color composition. The milky white WARA ZIRO absorbs light and meets the ORIBE green to create subtle and delicate atmospheres. These are bowls of presence.
"Yunomi" series, satin white - Series of everyday bowls in white stoneware with a satin white glaze. Hand-carved with a hollowed-out design (Kurinuki). (Diameter) approximately 60/70 mm x height approximately 60/70 mm. Available for sale. Limited edition. Unique pieces.
Blue "Nodate" Series 2 - Petits bols du jardin en grès blanc, jus de cobalt & émail transparent. Travail dans la masse par évidement (Kuriniki). (Ø)60/70 x h 60/70 mn environ.
Blue "Nodate" Series 1 - Petits bols du jardin en grès blanc, jus de cobalt & émail de cendres. Travail dans la masse par évidement (Kuriniki). (Ø)50 x h 60 mn environ. Disponibles à la vente. Série limitée. Pièce unique.
"Nodate" series, blue square - Petits bols gravés en grès blanc, jus de cobalt & émail transparent. Travail dans la masse par évidement (Kuriniki). (Ø)60/70 x h 60/70 mn environ. Disponibles à la vente. Série limitée.
"Chawans" Raku Yaki Series - Set of large Japanese tea ceremony bowls. White stoneware. Pinch-hand modeling. Raku Yaki firing. (Ø)130 x h 70 mm approx. Made to order.
"Yunomi" series pinched bowls - Series of everyday or Yunomi bowls. White stoneware. Glazed with oxide washes. Hand-modeled using the pinch technique. (Ø)80 x h 80 mm approx. Made to order.
Nodate white series - Petits bols du jardin ou "nodate". Grès blanc & émaux de cendre japonais. Modelés à la main avec la technique du pincé. (Ø) 60 x hauteur 60 mm environ. Disponibles à la vente. Disponible à la vente. Série limitée. Pièces uniques.
Nodate Oribe Series - Small bowls for the garden. Diam 8, h 6cm. Worked using the Kurinuki technique, by hollowing.
Large satin bowl series - White stoneware. Worked with oxide washes, satin white glaze. Hand-modeled using the pinching technique. (Diameter) approximately 150 x height approximately 80 mm. Made to order.
Large transparent bowl series - White stoneware. Worked with oxide washes and transparent glaze. Hand-modeled using the pinching technique. (Diameter) approximately 140 x height approximately 80 mm. Made to order.

Tea box 1 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approximately 100 x 100 x 100 cm.
Tea Box 2 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approximately 100 x 100 x 100 mm.
Tea box 2 - Oribe (opening detail) - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker loop. Approx. 130 x 90 x 90 cm.
Tea box 3 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 130 x 80 x 80 cm.
Tea box 4 - Oribe - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 70 x 140 x 70 cm.
Tea Box 1 - Testu - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 130 x 90 x 90 cm.
Tea Box 2 - Testu - White stoneware tea caddy. Hand-carved from a single block. White stoneware with ash glazes. Caroline Chomy wicker handle. Approx. 130 x 90 x 90 cm.
Tea Box 1 - Raku Yaki - White stoneware tea caddy. Hollowed out from the block. White stoneware and ash glazes. Raku Yaki firing. Approximately 130 x 90 x 90 cm.

KURINUKI VASES - A collection of vases carved from a single block of clay. Some are available for sale.
Vase - VK1 - White stoneware. Worked in the mass by hollowing, Japanese ash glazes. Height 130 x width 130 x depth 40 mm.
FLOWER VASE - 2 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. H 260 x 100 x 100 mm. Available for sale.
Vase - VK5 - White stoneware. Work in the mass by hollowing, Japanese ash glazes. Height 100 cm x Width 70 x Depth 60 mm.
FLOWER VASE - 5 - Red stoneware. Carved from the body. Ash glazes on the interior. Exterior patina. H 190 x 200 x 60 mm. Available for sale.
Vase - VK2 - White stoneware. Worked in the mass by hollowing, Japanese ash glazes. Height 160 cm x Width 60 cm x Depth 60 mm.
FLOWER VASE - 1 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. 110 x 100 x h260 mm. Available for sale.
Vase - VK3 - White stoneware. Hand-carved into the body, glazed with Japanese ash. Height 120 cm x width 100 cm x depth 50 cm. Available for sale.
FLOWER VASE - 3 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. H 210 x 110 x 70 mm. Available for sale.
Vase - VK7 - White stoneware. Hand-carved into the body, glazed with Japanese ash. Height 95 cm x Width 80 cm x Depth 70 mm. Available for sale.
FLOWER VASE - 4 - Red stoneware. Worked in the mass by hollowing. Ash glazes inside. H 110 x 200 x 40 mm. Available for sale.

Contact

  • 1 Avenue Germaine Dulac, 35000 Rennes, France
  • Basement. Back side of the building, Next to Néotoa's agency.

Come and discover my sculptures, ceramics & engravings in my studio. Contact me to make an appointment.

TOKYO (2017-2019)

DISCOVERY OF CERAMICS In Tokyo, I picked up my sculptor's tools again, after a year of being away. I joined the studio of ceramist Fumio Kadoya where I learned traditional Japanese ceramic techniques (modeling and firing) but also a more philosophical approach to working with clay. I began researching the ovoid shape "Around the Egg" as a possible representation of the soul, collaborating with calligraphers to give meaning to my thoughts and strength to the line.

Tokyo

NANTES (2013-2016)

I work with clay and plaster around femininity, a theme that will become recurrent.

Nantes

LONDON (2009-2013)

in 2009, I joined the collective Make Space Studios (50 artists) located on the rails of Waterloo station. I focused my research on the fragility of bodies. My forms become more and more organic.

London

PARIS (2004-2009)

Back in Paris in 2004, in the studio of sculptor-painter Jaildo Marinho, I trained in casting and patina techniques and worked with plaster and concrete. My work became introspective with the beginning of a research on the fragility of the body which translates into "Body Imprints" and "Body Barks". Photo credit: Photo Mon Paris / Anne Marie Arbefeuille

Paris

RIO DE JANEIRO (2000-2004)

I joined the studio of sculptor Marcus Salles and began drawing at the Beaux-Arts du Parc Lage, under the direction of Brazilian painter Gianguido Bonfanti. I set up my gaze and learned to see. I set up my first studio at the bottom of my garden and worked on body balance. in the circus and in the game of capoeira. Photo credit: Vanessa Iglesias

Rio de Janeiro

NEW DELHI (1996-2000)

ENCOUNTER WITH SCULPTURE. My training as a sculptor began in New Delhi in 1998 at the Triveni Art Center. I started modeling for the first time and learned as well humility and patience. Photo credit: @magali.in

New Delhi